The Lure

　　《魅惑》

　　In The Lure, two mermaids seduce their way into striptease cabaret gigs at a Polish nightclub. A combination of nubile looks, fishy tails, and siren voices turn them into minor stars, while insatiable romance and a thirst for blood threaten the earthbound existence. Smoczynska streaks her musical-horror hybrid with '80s neon and sexual metaphor for a coming-of-age.

　　在《魅惑》这部电影中，两只美人鱼在一家波兰夜店里被诱骗着进行脱衣舞表演。她们迷人的容貌、像鱼一样的尾巴以及美妙的声音，这几种元素结合在一起让她们变成了小明星，与此同时她们对爱情的贪得无厌以及对血液的渴望正威胁着地球上的生物。斯莫克钦斯卡在电影中糅合了惊悚的配乐、80年代的霓虹灯以及成年人的性隐喻。

　　I Don't Feel at Home in This World Anymore

　　《无处为家》

　　In this maniacal mystery, Ruth (Lynskey), a nurse, and her weapon-obsessed neighbor Tony (Wood) hunt down a local burglar. Balancing the tension of a Cormac McCarthy thriller with the wacky edge of Will Ferrell's comedies, I Don't Feel at Home in This World Anymore is a cathartic neo-noir that piece one together from cussing octogenarians, ninja stars, Google montages, friendly raccoons, and the idiocy of humanity.

　　在这个疯狂的神秘事件中，护士露丝(林斯基饰)与她痴迷武器的邻居托尼(伍德饰)一起追捕当地的一个窃贼。《无处为家》用威尔·法瑞尔喜剧般的滑稽来平衡科马克·麦卡锡式惊悚片的紧张感，这是一部宣泄情感的新黑色电影，它把骂骂咧咧的八旬老人、忍者飞镖、谷歌照片集、友好的浣熊以及人类的愚昧拼凑在了一起。